이웃 간 배려가 없어졌다고 투덜대던 윗집 여자는 달려오는 아랫집 남자를 외면하고 엘리베이터를 타고 혼자 올라간다. 어느 날, 여자가 탄 엘리베이터에 강아지가 끼는 사고가 발생한다.

Na Kyung-soo, a diver, is angered to learn that the Coast Guard is assigning responsibility for the death of a fellow diver during the Sewol ferry disaster recovery to Ryu Chang-dae, the representative of civilian divers, and charging him with manslaughter.

Ji-woo is all dressed up and ready to attend Jjang-ah’s birthday party. While waiting for her personal care assistant Mi-sook, she’s notified that Mi-sook can’t make it due to another urgent matter. Unfortunately, Ji-woo, who rides a wheelchair, can’t make it to the party without assistance. In the midst of this dilemma, she happens to run into her friend Ah-ja, who is playing at a claw machine. Ji-woo persuades a seemingly unoccupied Ah-ja to fill in as her personal care assistant for the day. Will the two of them be able to arrive at Jjang-ah’s house.

영화과 졸업 후 노량진에서 지내며 공무원 시험을 준비하는 성은(25). 계속되는 불합격으로 공시 생활이 길어지자 결국 2019년형 맥북 프로를 팔기로 한다. 그런데 성은은 맥북 안에서 공장 초기화를 막아서는 2019년의 자신을 마주친다.

<M> Making Documentary

Yun Suknam, born in 1939, supported her widowed mother and siblings from a young age. By the time she turned 40, she felt suffocated by societal roles and chose to pursue painting, spending all her money on supplies and refusing to quit. As a first-generation feminist artist, she continues to paint in her eighties, proving that art is about perseverance, resilience, and an unbreakable will.

Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.